Winifred Sandys, "White Mayde of Avenel" (after 1902), watercolor on vellum, 8 × 6 inches. Delaware Art Museum, Samuel and Mary R. Bancroft Memorial, 1935 (all images courtesy Delaware Art Museum) ...

Why have there been no great women Pre-Raphaelites? Well, it turns out there were quite a few. The first exhibition to focus on the women behind the movement that took Victorian Britain by storm ...

Henry Wallis, “Chatterton” (c. 1855–56), oil on canvas, 62.2 x 93.3 cm (24 1/2 x 36 3/4 in), Tate Gallery, London (all images courtesy the National Gallery of Art) In its first iteration in London, ...

Radicals in their day, the pre-Raphaelites in mid-19th-century England adopted the styles and principles of early-Renaissance artists in an aim to reform the art of their own time, which they found ...

Publication date from publisher's Web site. "Checklist of works exhibited in Washington": pages 246-249. "The Pre-Raphaelite Brotherhood shook the mid-19th-century art world. Effectively Britain's ...

While the camera has made some notable advancements in the past 150 years, the disheveled look of bohemians has remained constant: unkempt hair, torn clothing and lips that rarely smile. But Kate Moss ...

Truth & Beauty: The Pre-Raphaelites and the Old Masters is an escape. In the mausoleum-like lower galleries at the Legion of Honor, there are no windows to remind you of the outside world. There’s ...

On “Poetry in Beauty: The Pre-Raphaelite Art of Marie Spartali Stillman” at the Watts Gallery, Surrey. It must have been fun to be a member of the Pre-Raphaelite Brotherhood, but what about the ...

On a wall among the hushed halls of a late medieval Dominican convent in Forlì, near Bologna, you will find the image of a group of four barefoot and beautiful young women eternally gathering pebbles ...

The top-selling image at the museum bookstore of London’s Tate Britain is of a young woman floating on her back in a quiet river. Heavy-lidded eyes stare emptily upwards, lips are parted in confusion, ...