Antoine Reicha’s L’Arte de varier tantalises before you’ve heard a note; the composer’s Opus 57, its theme followed by 57 variations. Reicha was an exact contemporary of Beethoven and reportedly the ...
Performances in N.Y.C. Advertisement Supported by By Corinna da Fonseca-Wollheim COMING late in Handel’s “Messiah,” the glittering instrumental solo in “The Trumpet Shall Sound” is one of the most ...
Some results have been hidden because they may be inaccessible to you
Show inaccessible results